Entries from November 1, 2013 - November 30, 2013

Monday
Nov252013

American Cut

Chef Marc Forgione was perturbed when I suggested, in my review of Khe-Yo, that he was expanding rapidly with concepts that could run on auto-pilot.

He must have thought I was saying nobody is running them, which of course is not the case. Although I did not like Khe-Yo, I praised the service, which does not happen by accident. Somebody runs these places. I’m not sure Forgione does.

If he does, he might want to explain why the online menu at his new Tribeca steakhouse, American Cut, is posted without prices, a cynical ploy that I find downright insulting. The posted menu is a PDF facsimile of what is handed out at the restaurant. Someone had to do the extra work to take the prices off it.

Actually, prices are in line with other premium steakhouses in town. Such places are opening everywhere lately; they always do in an economic recovery. In a recent round-up of new steakhouses, the Post’s Steve Cuozzo ranked American Cut fifth out of nine—mediocre. That’s about right.

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Sunday
Nov172013

Kingside

It’s almost forgotten now, but in 2004 Landmarc was happening. Eater and Grub Street didn’t exist then, but if they had, Landmarc would have soared right to the top of the “Where To Eat Now” lists.

Diners endured hour-long waits for cuisine that wasn’t especially inventive or clever, just comfort-food classics really well made in a casual room. Nowadays, another place like that opens every week. In 2004, it wasn’t a cliché, yet.

The French-trained chef, Marc Murphy, parlayed the success to a second Landmarc in the Time-Warner Center, in the space Charlie Trotter was once supposed to occupy.

The crowds at the original Tribeca Landmarc subsided, as they always do at hot restaurants. A few years later, both Landmarcs were just serving gussied-up shopping mall food, with shopping mall service to match.

Despite training in “some of the most highly esteemed kitchens in the world from Paris to Monte Carlo” (so says the website), Murphy’s ambitions remained decidedly low-brow. His next project, a two-restaurant chain called Ditch Plains, did for the seafood shack what Landmarc had done for American comfort food. We liked Ditch plains, but there’s no mistaking what it is.

If you replicate Landmarc’s cuisine, dial up the volume, and do it well, what do you get? Welcome to Kingside, Murphy’s latest production, a big, bold brasserie in the Viceroy Hotel, a few doors down from Carnegie Hall.

No one will confuse Kingside for the bargain Landmarc used to be. Cocktails are $16, and most of the entrées—sorry, “large plates”—are over $30. These prices aren’t out of line for the location, but even after eating and drinking without excess, you’ll still be well over $200 a couple, for food that’s well made but not very memorable.

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Sunday
Nov172013

Whitman & Bloom

I remember the Murray Hill of twenty years ago: from a culinary perspective, there wasn’t much going on. Fast forward. The neighborhood hasn’t yet arrived, but with battalions of post-collegiate twenty-somethings settling there, the scene is far better than it used to be.

Whitman & Bloom Liquor Company, in a large space that used to be a sports bar, is typical of the new Murray Hill, with its loud, boozy atmosphere and a downstairs speakeasy. At first, I didn’t even realize it served food.

Actually, there’s a serious chef, Eldad Shem-Tov (an Israeli), whose resume counts stints with Alain Ducasse, and at Aquavit and Noma, though I’m not sure for how long. These days, everyone cooks at Noma for 15 minutes. This seems to be his first New York gig as an executive chef, but he’s surprisingly sure-handed, serving food far better than you’ve any right to expect.

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Monday
Nov112013

Distilled

What exactly is Distilled?

On the website, Distilled claims to be “a New American Public House serving redefined regional dishes and cocktails within an approachable communal setting.”

That’s a sufficiently elastic description to allow practically anything.

I’ve visited twice for cocktails ($10–15, most $14), which are very good. Try the “Age & Nobility.” The bartender sets the glass on fire with green chartreuse, then adds barrel aged Old Forrester, Campari, and Mead. That was the most memorable of the several cocktails I tried, but there wasn’t a dud in the bunch. Mead (an alcoholic mixture of honey and water) is a speciality too.

Wines are disappointing. On the one-page bottle list, there were just two reds under $50, and they were out of one of them. This is at a restaurant where all but two dishes are $23 or less.

The chef and partner here is Shane Lyons, formerly a child actor best known for Nickelodeon’s All That. As his TV career wound down, he went to culinary school, graduating from the CIA at 18. His prior New York gigs included Café Boulud, Craftbar, and Momofuku Noodle Bar, before he landed at Distilled, in the former Centrico space in Tribeca.

The one-page menu is firmly in the comfort food idiom, with share plates ($5–17), salads ($9–13), meat and fish dishes ($13–32; most $17–23) and vegetables ($8–16).

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Monday
Nov042013

Uncle Boons

What are a couple of Per Se vets doing in a Thai restaurant off the Bowery? I dunno, but they ought to keep doing it.

Like a lot of chefs trained in fine dining, Matt Danzig and Ann Redding (husband & wife) didn’t try to replicate that model when they struck out on their own. Redding’s from Thailand, Danzig had visited a lot and fell in love with the cuisine.

The early reviews have been mostly rapturous (two stars from Pete Wells), and they’re deserved. Danzig and Redding’s version of Thai cuisine is terrific, and well worth seeking out.

The space is decked out like a Thai tavern (a poor man’s Spice Market), and in a clever nod to the nearby Lighting District, no two light fixtures are the same. The rest of the décor is in dark wood and brick, with leafy plants in the window and an oldie sound track that doesn’t blast. Eater measured the sound level at almost 80db (comparable to a vacuum cleaner or an alarm clock), but we must have lucked out with our corner table: mercifully, we could hear ourselves talk.

The restaurant accepts limited reservations on its website, but many of the seats are reserved for walk-ins. There was nothing available online, but we took a chance at 7pm on a Saturday evening and were seated immediately. An hour or two later that probably wouldn’t have worked.

The Western influence is evident, in a focused menu that is practically old-school, with its recognizable appetizers ($8–15), entrées ($20–28), and side dishes ($3–8). Didn’t anyone tell them you’re not supposed to do that any more?

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