Michelin New York 2016 Ratings

The Michelin New York 2016 ratings were announced last week. We’re back with our annual tabular listing of stars won and lost over the eleven-year history of the Guide.

The big winner in this year’s Guide is The Modern, upgraded to two stars under chef Abram Bissell, who replaced founding chef Gabriel Kreuther eighteen months ago. All of the other two- and three-star restaurants remain the same.

Eater.com’s Ryan Sutton has a longer post on the 2016 Guide’s winners and losers. A summary of the changes is below. The full list is after the jump.

Promotions (one star to two):

• The Modern

Demotions (one to zero):

• 15 East [lost chef]
• Hakkasan
• Lincoln
• Zabb Elee

Starred in First Year Eligible:

• The Finch
• Gabriel Kreuther
• Hirohisa
• Rebelle
• Semilla
• Tempura Matsui

Other Restaurants Starred for the First Time:

• Cagen
• Somtum Der
• Sushi Yasuda

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Michelin New York 2015 Ratings

The Michelin New York 2015 ratings were announced last week. We’re back with our annual tabular listing of stars won and lost over the ten-year history of the Guide.

The Michelin Guide offers the best single list of New York’s best restaurants, mainly because the list is updated annually. Most of the city’s professional critics review a restaurant once, within its first year in business, and do not return for many years, if ever—even if the restaurant has changed substantially.

To give three examples from the 2015 Guide, Aquavit was promoted from one star to two, under its new chef, Emma Bengtsson. The NYT displays Sam Sifton’s 2010 review under former chef Marcus Jernmark. Saul lost its Michelin star after moving to the Brooklyn Museum. The NYT displays Pete Wells’ 2007 review, when Saul was in a much smaller dining room in Boerum Hill. Lastly, A Voce Columbus lost its star after losing its chef, Missy Robbins. The NYT still displays Sam Sifton’s 2009 review, when Robbins was there.

Similar examples from earlier years are abundant. The NYT still displays Frank Bruni’s 2007 review of Jean-Georges Vongerichten’s Perry St. Michelin took away its star in 2011, after Mr. Vongerichten’s son Cedric took over the kitchen. The NYT still displays William Grimes’ 2002 review of Vongerichten’s Jo Jo. The restaurant lost its Michelin star for the second and final time in 2010.

We don’t think the Michelin inspectors are more competent at reviewing restaurants than the city’s other professional critics. They’re just more nimble.

In the 2015 Guide, there are no new three-star restaurants, three promotions to two stars (Aquavit, Blanca, and Ichimura), and fifteen new one-star restaurants, most of which opened within the last year or two. Picholine got its star back, after a year’s absence. There were no restaurants starred out of nowhere, after many years unstarred, such as Caviar Russe and Telepan in the 2014 Guide.

Particularly notable demotions include Daniel (three stars to two); Annisa and Oceana (one star to zero), both of which had been starred for nine consecutive years, since the first Guide.

Starred restaurants that have never had a New York Times review of any kind, include Andanada, Caviar Russe, Danny Brown, Juni, and ZZ’s Clam Bar.

A summary of changes and a ten-year tabular listing are after the jump.

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Blenheim

Note: Chef Ryan Tate left Blenheim abruptly in March 2015. Mazen Mustafa is the restaurant’s third chef in its first year of existence.

*

When a restaurant announces that it’s “closing temporarily,” it’s usually done-for. So I promptly crossed Blenheim off my to-do list when opening chef Justin Hilbert was canned, and the restaurant shuttered, after a month in business.

Blenheim escaped the usual fate of such establishments—and recovered brilliantly, in fact—when Tribeca’s Le Restaurant closed, and the Michelin-starred chef Ryan Tate became a free agent. A couple of weeks later, Tate was in, and Blenheim had recovered from the dead. Full disclosure: I wasn’t a fan of Le Restaurant. I must’ve caught it on a bad day, as no one else disliked it as much as I did. The food at Blenheim is terrific.

The owners are husband-and-wife team Min Ye and Morten Sohlberg, best known for the Smörgås Chef mini-chain of Swedish restaurants. In 2007, they bought the Blenheim Hill Farm in the Catskill Mountains, which dates back to the 1700s, but had been abandoned since the 1970s. They restored the farm, and started raising pesticide-free produce and heritage breeds of pigs, cattle, and lamb.

You might’ve guessed that a farm-to-table restaurant wouldn’t be far behind. Welcome to Blenheim, which will remind you of that other restaurant with an affiliated farm, Blue Hill, in its humbler days, before it started serving S. Pellegrino cuisine and playing host to presidents. (Even Smörgås Chef now touts its farm-to-table bona fides, which wasn’t the case when we visited in 2007.)

The v1.0 release of Blenheim had no online menu, but The Pink Pig sampled a Guinea Hen dish that was $32; the same is now $27. Further comparisons aren’t possible, but I gather the new chef has thoroughly re-habilitated the menu, which is now firmly mid-priced, with appetizers $10–19 and entrees $20–34. There are no snacks or side dishes to plump up the bill.

There are also two so-called tasting menus: four courses ($65) and seven courses ($95). Wine pairings are $35 and $55 respectively. We chose the former. If I’m picky, the four-course option isn’t really a tasting menu, although it did come with a couple of amuses. The wine pairing came with four pours, and at the price would have to be called generous.

The amuse (above left) was a tomato carpaccio with lovage emulsion, about as perfect as tomatoes can be. The bread service (above right) offered a choice of three varieties, served warm, with soft butter from the farm.

 

Blenheim 1.0 was criticized for serving “overly precious creation[s] made mostly from greens that humans don’t typically eat for a reason.” You see it, too, in The Pink Pig’s far more favorable review.

There’s still some evidence of that at Blenheim 2.0 (a $15 gin and lime cocktail served with ice plant) and on the plates above, where farm greenery is tossed about, mainly because they can. Le Restaurant, the chef’s last place, suffered from similar self-indulgence, but here the dishes succeed.

We started with White Asparagus (above left), not from the local farm, but from northern Italy, with a poached egg, sorrell, and pine juice. “Mix it up and have fun,” the server exhorted, in case you were wondering. There was a crunchy, crouton-like ingredient, and something sweet I couldn’t identify. The chef had done something incredible with very little.

Greenery on the next plate was purely decorative, but the Skate Wing (above right) was exquisite.

 

Pork Loin (above left) had a pungent, “hammy” taste that was wonderful. I also enjoyed the salted peaches on the plate, but didn’t need charred okra or smoked onion.

The dessert amuse was a cucumber sorbet, tasting something like a key lime pie, which I didn’t photograph. The dessert was a cream cheese panna cotta (above right) with plums, whey, and buckwheat crêpes that was one of the best desserts I’ve had in a while.

The ambiance at Blenheim straddles the line between high-end informal and low-end formal. Despite the tablecloth-free décor of exposed wood and farm implements hung from the walls, the dining room feels upscale: it’s a third-date place. The staff are extremely attentive about the small things, such as the setting and clearing of plates and silverware. There are butter knives on the tables, and when was the last time you saw that outside of a three-star restaurant.

The dining room was quiet, and only about half full at 8:00pm; by 10:00 it was almost empty. There is nothing wrong with the location, an ideal West Village street corner, in a part of town where many restaurants have thrived. Blenheim has got the chef; now it just needs the buzz.

Blenheim (283 W. 12th Street at W. 4th Street, West Village)

Food: Haute barnyard
Service: Upscale
Ambiance: Straddling high-end informal and low-end formal

Rating: ★★

Seeing Stars: Eater Blinks and So Do I

The stars are back.

Two years ago, the Los Angeles Times announced it was dropping the “star system” for rating restaurants. To my knowledge, no other publication followed the LAT’s lead.

In New York City, the Times, New York magazine, the Post, the Daily News, Time Out New York, the Observer, and GQ, all give stars. Among print publications that regularly review restaurants in New York, to my knowledge only the New Yorker and the Village Voice have yet to use stars (and they never did).

Last week, Eater.com (which had long eschewed reviews of any kind) began two new series of reviews, with critics Ryan Sutton (formerly of Bloomberg) and Robert Sietsema (formerly of the Village Voice), who will use separate non-overlapping four-star systems. (New York is the only other publication with separate star systems for low- and high-end restaurants.)

After the LAT announced its decision, the Times’ Pete Wells filed a blog post explaining why his reviews would continue to have stars:

No two critics are going to have the same reaction to a restaurant, and no two critics are going to come up with identical interpretations of the precedent. The whole process of critiquing restaurants is inherently subjective. Readers are free to disagree with the critic. Go ahead and throw the newspaper across the room if you like. That’s part of the fun. . . .

Whether you think that renders the stars meaningless depends entirely on what you expect them to do. If you hope they are going to organize the entire New York City restaurant scene into an objective and verifiable hierarchy of good, better and best, you’re going to find that the reviews are a weekly exercise in frustration. (A corollary: If you read the reviews believing that all restaurants with a given number of stars are meant to be equally good, you’re going to lose your mind.)

On the other hand, if you understand that the stars accompany a review of at least 1,000 words, I hope you’ll believe that they do have meaning. The reviews have to cover a lot of ground. They tell you what kind of restaurant is being reviewed, how it looks and feels, how customers are treated, how some of the dishes taste and often whether it’s worth the price. A star ranking from zero to four can’t do any of those things in any meaningful way, but it can try to serve as shorthand for how strongly the reviewer is recommending the restaurant.

After the LAT announcement, I introduced my own system, which not-coincidentally was a five-step scale, just as the stars had been (four to zero), but—as I then saw it—without the stars’ historical baggage. From highest to lowest, my ratings were:

• Extraordinary
• Category Killer
• Critic’s Pick
• Neighborhood Spot
• Not Recommended

These categories had always approximated my general sense of what the stars ought to mean, although not all critics used them that way. I found in practice that my new system was no more liberating than the stars. In fact, it was less discriminating, because I had used half-stars in the past, but I had allowed myself no way to designate a restaurant as, for example, “Neighborhood Plus.”

Other problems I saw with the star system seem less serious to me now. I do not fundamentally take issue with a restaurant like Roberta’s receiving three stars, as it did from Sutton last week, assuming you agree with his assessment. Restaurants are rated against the ideal versions of themselves, not against others in completely different genres. You could agree with Sutton’s rating, while concluding at the same time that Roberta’s isn’t for you. (That, in fact, is precisely my view of Roberta’s.)

There is nothing to be done about the fact that, on crowdsourced review sites like Yelp, a three-star review is terrible, while to most professional critics it is terrific. In my system, a one-star restaurant is “good,” which ought to be a compliment. I cannot do anything about the fact that some people will read my reviews, see one star, and think, “It must be awful.” The readers who say that haven’t read the review.

There remain considerable differences in the ways critics use the star system. Some publications go up to five stars, although most use four. Some go down to zero, but others stop at one. Some use half-stars; others don’t. Because of this, stars are generally not comparable across publications. For a given publication and critic, the stars, as Wells put it, “serve as shorthand for how strongly the reviewer is recommending the restaurant.”

But the system, in whatever fashion it is used, remains the lingua franca of restaurant reviews.

A few years ago, the Post’s Steve Cuozzo dropped the stars (in fact, he dropped traditional “reviews” entirely), but after a while concluded that he might as well re-instate them. I’ve now come to the same conclusion.

Michelin New York 2014 Ratings

The Michelin New York 2012 ratings were announced this afternoon. As always, we’re back with our tabular listing, after the jump, of the stars from 2006 (the first year) to the present.

There are fewer “head-scratchers” this year — actually, no new stars that seem completely ridiculous, like Shalizar in 2010 or Heartbreak in 2012. There are a few hold-overs, like Jewel Bako, that some people violently disagree with, but I don’t consider that as bad—if “bad” it is—as a new error, and there aren’t a lot of those.

Most of the city’s professional critics hate the Michelin ratings. They don’t want to admit that a French tire company is as good at it as they are. The fact is, all of the pro critics get restaurants wrong; sometimes, ridiculously so. Unlike Michelin, they practically never revisit their errors.

To give a couple of examples: Jonathan Benno’s Lincoln Ristorante had a terrible start in the fall of 2011. Most of the early reviews were lukewarm. Those critics are probably never going back. It’s not that they’re cruel or stubborn: they just don’t have the mandate to keep re-checking their old reviews. Lincoln now has a Michelin star. The tire guide was able to recognize the improvement. The pro critics couldn’t.

Picholine was demoted in 2012 from two Michelin stars to one, and this year from one star to zero, reflecting the restaurant’s decline. The New York Times? The best they can do is Frank Bruni’s three-star review from 2006, not likely to be updated anytime soon.

Many people found Gordon Ramsay’s previous two-star rating incomprehensible, but no local critic had reviewed it in years. People who said the rating was wrong had no clue. How could they? Anyhow, this year it suffered a rare demotion from two stars to zero. Given the restaurant’s recent troubles, it is no surprise.

Of course, there are individual Michelin ratings I disagree with. No one could construct such a list and please everybody; my list no doubt would displease some of you. But by and large it’s a more accurate list than any professional critic in this city can produce, simply because the pro critics spend so much of their time at restaurants that are brand new, and have only rare opportunities to revisit them.

The summary is below, the tabular listing after the jump.

Promotions:

• Jungsik, from one tar to two

Star Regained:

• Babbo, from zero stars to one (last starred in 2008). I am not sure what cost Babbo its star in 2009, or what changed to get it back again.

Demotions: (not counting closed restaurants)

• Gordon Ramsay at the London, from two stars to zero.

• Picholine, from one star to zero.

Starred in First Year Eligible:

• Aska
• Carbone
• Ichimura at Brushstroke
• Le Restaurant
• The Musket Room

The top three received multiple favorable reviews from the professional critics. The latter two have not, but they’re not complete head-scratchers like some of the Tire Man’s past star awards.

Other Restaurants Starred for the First Time:

• Caviar Russe. Probably the most surprising newly-starred place, but this restaurant has gone almost totally under the critical radar for years. Who knew?

• Telepan. Much deserved after all these years.

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Michelin–New York Times Ratings Comparison

After the jump, you’ll find the list of all New York City restaurants currently open, that:
(1) Have now, or have ever had, at least one Michelin star; or,
(2) Have now, or have ever had, three or four New York Times stars.

For both Michelin and The Times, the list shows the maximum number of stars it has ever had (“Max”), and the current number of stars it has (“Curr.”). In the last two columns, you’ll find the name of the last Times critic who reviewed the restaurant and the date of the review. Click the link on the date to read the review itself.

The two rating systems are correlated. Most of the Michelin 1-star restaurants have two or three Times stars. Most of the Michelin 2-star restaurants have three Times stars. Most of the Michelin 3-star restaurants have four Times stars.

Given this correlation, you can find restaurants where the two systems disagree. For instance, Babbo has three Times stars but zero from Michelin. Danny Brown in Queens has a star from Michelin but has never even been reviewed in The Times.

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Pete Wells and the Two-Star Restaurant

In case you hadn’t noticed, the New York Times restaurant critic, Pete Wells, likes to give two stars. In seven months on the job, it has become his base rating. Half of his reviews (50%) have been two stars; just 27 percent have received one star:

It wasn’t always this way. Sam Sifton gave one star 44 percent of the time, two stars 33 percent. Eater has a handy distribution of Frank Bruni’s ratings over the course of his tenure. People jokingly called him “Frankie Two-Stars,” due to his fondness for that rating. But he always gave one star more frequently than two. In his final year, he gave one star 45 percent of the time, two stars just 33 percent—about the same as Sifton.

Has there been a sudden upswing in the quality of New York restaurants? I don’t know anyone who thinks so. Wells is just a far easier grader than Sifton or Bruni.

Wells’s reviews are infinitely better than Sifton’s, and his knowledge is superior to Bruni’s. He’s just generous with the stars—or at least, with two of them. (His percentage of three-star reviews is on par with Bruni’s and Sifton’s. He’s filed only one four-star review, Le Bernardin, and I doubt anyone would argue with that.)

In the New York Times star system, one star is supposed to mean “Good.” Wells’s one-star reviews almost never sound good. Although the rating system hasn’t changed, Wells is reviewing as if one star means “Fair.” Sifton, in contrast, wrote quite a few enthusiastic one-star reviews.

For instance, if we consider just Chinese restaurants: Sifton gave one star raves to Imperial Palace, Hunan Kitchen of Grand Sichuan, and 456 Shanghai Cuisine. Wells has given the deuce to Wong, RedFarm, Café China, and Mission Chinese Food. Are those four restaurants really a whole star better than Sifton’s trio of one-star places? I doubt it.

At this point, Wells would need to give one star exclusively for several months straight, just to get back to the ratings percentages of the Sifton/Bruni years. But the inflated ratings of his first seven months can’t be reversed. A sudden shift now would confer a boon on all the restaurants that got an extra star they didn’t deserve.

Perhaps it’s the descriptions of the stars that need to change. Readers are conditioned to believe that one star isn’t a compliment. Ryan Sutton of Bloomberg uses the same four-star scale, but in his system, one star means “Fair.” New York magazine claims that one star means “Good,” but its critic, Adam Platt, follows Wells’s de facto system: his one-star places never sound good, either. For an example, see his review of Mission Chinese Food this week.

On crowdsourced review sites like Yelp, a restaurant has to be really terrible to get anything less than three stars. None of the professional critics are that generous; nevertheless, the public perception is that one star is awful. For instance, the Eater.com headline after Platt’s review came out, was: “Adam Platt is Unimpressed by Mission Chinese Food.” Eater’s summary was accurate: Platt didn’t like the place, although he gave it one star, purportedly meaning “Good.”

Since Wells can’t retroactively re-rate seven months worth of restaurants, and the public will never think of one star as “Good,” perhaps The Times just needs to re-define its ratings. Change the definition of one star to “Fair,” and two stars to “Good,” and Wells’s ratings will make sense.

The End of the Star System

Last week, the Los Angeles Times stopped awarding “stars” in its restaurant reviews. I’ve decided to do the same, but with a twist.

Unlike the LAT, I am still going to rate restaurants—in my own way (see below). Ratings are still meaningful, and I believe that consumers both expect and value them. But the existing stars are too laden with baggage to be useful any more.

The Problem

Although the LAT’s decision precipitated mine, the underlying issue has been on my mind for several years. The LAT explained it this way:

Starting this week, The Times will no longer run star ratings with our restaurant reviews. There are a couple of reasons for this. First, star ratings are increasingly difficult to align with the reality of dining in Southern California — where your dinner choices might include a food truck, a neighborhood ethnic restaurant, a one-time-only pop-up run by a famous chef, and a palace of fine dining. Clearly, you can’t fairly assess all these using the same rating system. Furthermore, the stars have never been popular with critics because they reduce a thoughtful and nuanced critique to a simple score. In its place, we’ll offer a short summary of the review.

There are also thoughtful comments from Huffington Post and preciently, a couple of weeks earlier, from Toqueland’s Andrew Friedman. Personally, I do not think the stars are any more difficult to apply than they were five, ten, or twenty years ago. They’ve always suffered from several problems.

First: a luxury restaurant is usually a candidate for three stars, but a disappointing luxury restaurant gets two; perhaps one or zero if it’s really bad. Conversely, a small neighborhood place usually gets one star, but it can get two if it’s exceptional. So the two-star level is a collision point, where you could find anything from SHO Shaun Hergatt to Parm.

Second: in the age of Yelp, most people are conditioned to think that if a restaurant gets one star, there must be something pretty badly wrong with it. Sometimes that’s true. But there are also some really good restaurants that have received one star in The New York Times—restaurants that the critic very clearly liked (despite some limitations), such as The Spotted Pig and Imperial Palace.

Compounding this problem, a number of critics use the same system nominally, but apply it in very different ways. Bloomberg’s Ryan Sutton awards zero to four stars, but to him two stars is “good, reliable,” while one star is “fair.” At The Times, two stars is “very good,” while one star is “good.” Time Out New York awards one to five stars (never zero), so one star there is terrible.

Third: there is an unwritten rule that some types of restaurants just cannot get three stars, no matter how good they are. Pete Wells’s threespot for Il Buco A&V may be an attempt to change that—we’ll have to see—but for the most part only fairly luxurious, expensive restaurants even get the chance for three stars.

Finally: the star rating, at least as practiced by The New York Times, takes price into account. Restaurants sometimes get docked a star for being too expensive (in relation to perceived value); others get a “bonus star” for offering an exceptionally good deal. But this system is open to manipulation. Time and again, restaurants have raised their prices after receiving a rave review. The rating remains available years later on the paper’s website, even after the bargain prices that contributed to it are no longer offered. (I wrote a blog post decrying this practice a couple of years ago.)

These problems have been around for a very long time—perhaps forever. Because there are such heavily ingrained views about “what a three-star restaurant must be,” any attempt to redefine the system while still awarding stars, is doomed to fail. What’s needed is a different system entirely.

The New System

I am going to classify NYC restaurants in the following way:

Extraordinary: One of the best five to ten restaurants in the city; a restaurant that has it all. A transcendent experience, one of the world’s best. Worth a trip to New York in its own right.

Category Killer: A restaurant that aces its category, on its own terms, and without comparison to restaurants in totally different genres; the best, or very nearly the best, of its kind in NYC, without any serious weaknesses or omissions.

Critic’s Pick: the restaurant does something out of the ordinary, something that makes it better than the average place you can find in just about anywhere in town; a place worth traveling to—assuming the cuisine and ambiance fit your mood, tastes, and price point; a minor destination.

Neighborhood Spot: if you’re in the neighborhood, it’s nice to know it’s there. Worth considering if you’re in the area.

No Recommendation: Not recommended; I wouldn’t go back.

Simplistically, there are five levels, just as there were before, from four stars to zero. But these ratings no longer carry the same meanings. If you believe (as Sam Sifton did) that Motorino serves the city’s best pizza, then you can rate it a “Category Killer,” even though Sifton gave it just one star in the old system. (I have not reviewed Motorino.)

Even when I was awarding stars, I tended to think of restaurants in a hierarchy, as above. A two-star restaurant had to be a destination in some sense, while a three-star restaurant needed to be a destination in every sense. But time and again, I was frustrated by the need to maintain fidelity to what the stars had traditionally meant. Thus, I’ve assigned “Category Killer” status to The Spotted Pig and Minetta Tavern, even though I never would have considered giving them three stars.

The top rating—but only that one—retains its old meaning. Since there are no more stars, I’ve replaced it with its synonym, “Extraordinary.” This level has remained relatively pure over the years. Four-star restaurants have practically always been luxurious and very expensive, and there have never been many of them. I could envision a system where the city’s best hot dog stand gets four stars, because it’s the best that a hot dog stand can ever be. But no professional critic has ever come even close to doing that.

Over the years, I’ve gradually moved away from taking price into consideration. I am now making it explicit: ratings do not take price into consideration. I always state in my reviews what I paid for the food at the time. You can decide for yourself whether the restaurant is offering a good value. Price and value are dependent on too many factors that a critic can’t assess. Of course, if I think I overpaid or got a terrific deal, I’ll still say so. It just won’t affect the rating.

I’ve never made a distinction between rated restaurants and “$25 & Under,” as The New York Times does. But it is worth noting that this system can work at all price levels. Restaurants are rated against the Platonic Ideals of themselves. Shack Shack could be a Category Killer, if you believed it was the ideal burger stand. (That’s just a hypothetical; I haven’t reviewed Shake Shack, but the last guy who did wasn’t impressed.)

There can be more than one Category Killer of the same kind, but there can’t be too many. If you think that twenty sushi restaurants are Category Killers, then none of them are. That’s one of the reasons why I’ve given no steakhouses that status (unless you count Minetta Tavern as a steakhouse—which I don’t). There are a number of steakhouses that I recommend, but none that really stands sufficiently apart from the others.

This new system clearly does not eliminate subjectivity. No doubt more chefs think they are operating Platonic Ideals of their restaurants, than actually are. But at least this system articulates specific criteria for the ratings, eliminates price as a factor, and does not purport to measure wildly different establishments on the same numeric scale.

The Transition

RedFarm is the first review published on the new scale. It’s a Critic’s Pick.

Starting today, I will gradually convert my old reviews to this new system. I have hundreds of reviews accumulated, so this will take some time. I am not going to update the reviews of restaurants that have closed. And if I reviewed the same place multiple times, I am only going to update the most recent review (the one linked from my ratings page).

The Restaurant Index page now shows all the restaurants I’ve reviewed in approximately their final positions, but I am still adjusting them. (For reference, the old ratings are available here.)

It is possible that, after doing this for a while, I will find that this solution isn’t all it’s cracked up to be. But the ratings described above correspond reasonably well to the way I believe critics ought to think about restaurants. It’s a system that I believe can work, and that other critics could use—not that I am holding my breath.

The Pete Wells Wars

Last Update: March 7, 2012

Pete Wells, the latest New York Times restaurant critic, has been in the saddle for two months. How’s he doing?

Early Assessment: Wells is being extremely lenient on casual restaurants, but he has his knives out for upscale ones. Shake Shack got a star, despite inconsistent burgers and terrible fries. Parm got two stars, when it is basically a $25 & Under sandwich place. Il Buco Alimentari e Vineria got three stars, when it is in essence a slightly over-achieving neighborhood trattoria/grocery.

But Crown received one star, in a review dripping with contempt for its affluent clientele. Jungsik received just two stars, along with some condescending comments about Korea.

Wells’s grade inflation has doomed his tenure from the very start. One star supposedly means “good” in the NYT star system. In a world where Shake Shack (with all its faults) gets one, and Parm gets two, nobody will ever feel good about a one-star review, ever again.

We will have to wait and see whether Il Buco A&V’s three-star review was just a mistake, or if he intends to start handing out three-star reviews like Christmas candy. (This post will be updated periodically.)

The table after the jump shows every starred (or star-eligible) restaurant review that Wells has filed, his rating, and what I consider to be the “correct” rating. Those Wells over-rated are highlighted in red; those he under-rated are highlighted in green.

Click to read more ...

New York Times 3 & 4-Star Restaurants

This is a list of New York City restaurants currently open, that:
(1) Have now, or have ever had, at least one Michelin star; or,
(2) Have now, or have ever had, three or four New York Times stars.

For both Michelin and The Times, the list shows the maximum number of stars it has ever had (“Max”), and the current number of stars it has (“Curr.”)

The two rating systems are somewhat correlated. Most restaurants with at least one Michelin star have three NYT stars, or did at one time, and vice versa. Where this is not the case, it could mean that one service or the other has over- or under-rated the restaurant.

Unlike The Times, the Michelin ratings are anonymous (you don’t know who came up with them) and are published without explanation. But the Michelin ratings are updated annually, and are often reflect changes (for good or bad) that The Times fails to react to.

So you could think of this list as the set of restaurants that are plausible candidates for three or four NYT stars, or were at one time, whether or not they are now.

Restaurant	Michelin		New York Times
	Max.	Curr.	Max.	Curr.	Critic	Date
15 East	*	*	**	**	Bruni	7-11-07
Ai Fiori	*	*	***	***	Sifton	4-23-11
Aldea	*	*	**	**	Bruni	4-7-09
Annisa	*	*	**	**	Sifton	6-23-10
Aquavit	*	*	***	**	Sifton	7-21-10
Atera	**	**	***	***	Wells	7-18-12
Aureole	*	*	***	*	Sifton	11-11-09
A Voce Columbus	*	*	**	**	Sifton	11-25-09
A Voce Madison	*	*	***	***	Bruni	5-10-06
Babbo	*	–	***	***	Bruni	6-9-05
Blanca	*	*	**	**	Wells	10-16-12
BLT Fish	*	–	***	***	Bruni	4-20-05
Blue Hill	*	*	***	***	Bruni	8-2-06
Blue Hill at Stone Barns	–	–	***	***	Bruni	7/28/04
Bouley	**	*	***	***	Bruni	3-25-09
Breslin, The	*	*	*	*	Sifton	1-12-10
Brooklyn Fare	***	***	***	***	Sifton	4-27-11
Brushstroke	*	*	**	**	Sifton	7-13-11
Brushstroke (Ichimura)			***	***	Wells	9-26-12
Café Boulud	*	*	***	***	Bruni	8-15-07
Café China	*	*	**	**	Wells	5-2-13
Carbone	–	–	***	***	Wells	6-5-13
Casa Mono	*	*	**	**	Burros	1-28-04
Colicchio & Sons	–	–	***	***	Sifton	3/17/10
Corton	**	**	***	***	Bruni	12-10-08
Craft	*	–	***	***	Sifton	9-7-11
Daniel	***	***	****	****	Bruni	1/21/09
Danji	*	*	*	*	Sifton	8-17-11
Danny Brown	*	*	–	–	NEVER	NEVER
Del Posto	**	*	****	****	Sifton	9/29/10
Dévi	*	–	**	**	Bruni	11/17/04
Dovetail	*	*	***	***	Bruni	2/20/08
Dressler	*	*	**	**	Bruni	6/7/07
Eleven Madison Park	***	***	****	****	Bruni	8/12/09
Esca	–	–	***	***	Bruni	4/18/07
Felidia	–	–	***	***	Bruni	8/30/06
Four Seasons, The	–	–	***	**	Bruni	4/4/07
Gilt	**	**	**	**	Bruni	2/8/06
Gotham Bar & Grill	*	*	***	***	Sifton	5-17-11
Gordon Ramsay	**	**	**	**	Bruni	1/31/07
Gramercy Tavern	*	*	***	***	Bruni	6/6/07
Hakkasan	*	*	*	*	Wells	6-12-12
Il Buco A&V	–	–	***	***	Wells	3/14/12
Jean Georges	***	***	****	****	Bruni	4/19/06
Jewel Bako	*	*	*	*	Bruni	6/21/06
JoJo	*	–	***	***	Grimes	4/17/02
Jungsik	*	*	**	**	Wells	2-28-12
Junoon	*	*	**	**	Sifton	3-30-11
Kajitsu	**	*	**	**	Wells	6-18-03
Kyo Ya	*	*	***	***	Wells	4/11/12
Kurumazushi	*	–	***	***	Reichl	10/6/95
Lan Sheng	*	*	–	–	–	–
Laut	*	–	–	DB	Moskin	7/29/09
La Grenouille	–	–	****	***	Sifton	12/23/09
Le Bernardin	***	***	****	****	Wells	5/23/05
Le Cirque	–	–	****	**	Wells	9/19/12
Le Périgord	–	–	***	**	Grimes	10/11/00
Marc Forgione	*	–	**	**	Sifton	10/6/10
Marea	**	**	***	***	Sifton	10/21/09
Masa	***	***	****	***	Sifton	6-15-11
Minetta Tavern	*	*	***	***	Bruni	5/20/09
Modern, The (Bar Rm.)	–	–	***	***	Bruni	1/10/07
Modern, The (Dine. Rm.)	*	*	***	***	Wells	3-26-13
Molyvos	–	–	***	**	Asimov	7/17/02
Momofuku Ko	**	**	***	***	Bruni	5/7/08
Momofuku Ssäm Bar	–	–	***	***	Bruni	12/3/08
Nobu	*	–	***	***	Reichl	9/8/95
Nobu 57	–	–	***	***	Bruni	9/28/05
Nobu, Next Door	–	–	***	***	Reichl	12/23/98
NoMad, The	*	*	***	***	Wells	6/20/12
Oceana	*	*	***	**	Sifton	11/18/09
Palm & Palm Too	–	–	***	*	Sifton	7-27-11
Patroon	–	–	***	**	Asimov	7/10/02
Perry St.	*	–	***	***	Bruni	9/7/05
Per Se	***	***	****	****	Sifton	10-12-11
Peter Luger	*	*	***	**	Bruni	9/19/07
Picholine	**	*	***	***	Bruni	11/8/06
Public	*	*	**	**	Grimes	12/17/03
River Café	*	*	***	**	Grimes	2/13/02
Rosanjin	*	*	**	**	Bruni	3/28/07
Rouge Tomate	*	*	*	*	Bruni	1/7/09
Sammy’s Roumanian	–	–	***	***	Sheraton	5/21/82
Saul	*	*	**	**	Wells	10/7/09
Scalini Fedeli	*	–	*	*	Grimes	10/13/99
Scarpetta	–	–	***	***	Bruni	7/30/08
Seäsonal	*	*	**	**	Asimov	2/25/09
Shalezeh	*	–	–	–	NEVER	NEVER
Soto	**	**	**	**	Bruni	9/5/07
Spice Market	–	–	***	*	Bruni	6/24/09
Spotted Pig, The	*	*	*	*	Bruni	1/25/06
Sugiyama	–	–	***	***	Reichl	3/17/99
Sushi Azabu	*	*	*	*	Bruni	10/29/08
Sushi of Gari	*	*	**	**	Bruni(1)	3/2/05
Sushi Yasuda	–	–	***	***	Asimov	11-16-11
Tamarind Tribeca	*	*	**	**	Sifton	8/4/10
Tori Shin	*	*	–	–	NEVER	NEVER
Torrisi Italian Specialties	*	*	**	**	Sifton	6-8-10
Tulsi	*	*	*	*	Sifton	3-30-11
Union Square Cafe	–	–	***	**	Bruni	8/5/09
Veritas	*	–	***	***	Sifton	3-16-11
Wallsé	*	*	**	**	Hesser	5/5/04
WD~50	*	*	***	***	Bruni	3/5/08

Note 1: Frank Bruni actually reviewed Gari, the west side branch of Sushi of Gari. The latter does not appear to have ever been reviewed in The Times, but the two are quite similar.