Entries in Manhattan: Union Square (11)

Monday
Apr202015

Javelina

Tex–Mex cuisine has always had a lowbrow reputation outside of its home territory, much as barbecue did a generation ago. You could visit these places for fun and sustenance, but the cooking was never taken seriously.

Javelina aims to change that. It’s the first local Tex–Mex joint I can remember where you actually knew the name of the chef: Richard Caruso, who’s been at Rosa Mexicano and Hill Country. Pat LaFrieda is on hand to supply the beef for all those tacos and enchiladas; or, if you prefer to have your beef naked, there’s a 28-day dry-aged cowboy steak for $38.

As the modern trend requires, there’s a large-format dish, the Parrilladas Mixtas, essentially the fajita platter of the gods, with six proteins (lobster extra) and abundant side dishes, costing $65 for two or $125 for four. But most of the food clocks in at much lower prices. No other item on the two-page menu is more than $25, and portions are generous.

The restaurant is named for a kind of wild pig that roams the wilds of Texas. A stuffed specimen is on display above the bar, and you can see from its sharp teeth that this isn’t an animal to be toyed with.

They take reservations, and you might need one. On a Wednesday evening, there was no chance of getting seated before our 7:45 booking, and the bar was packed too. We cooled our heels at the quiet Italian trattoria next door: Javelina might be the best thing that’s happened to them in years. On a recent evening, Eater’s Ryan Sutton waited 90 minutes for bar seats, got nothing, and gave up.

Once you get in, the sound level is punishing: those brick walls and hard surfaces turn the dining room into an echo chamber. Is it worth the trouble? Not as far as we could tell. We found the food like most of the city’s Tex–Mex: acceptable for what it is, but not worthy of the destination status that diners are conferring on Javelina in its early days.

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Tuesday
Oct142014

Botequim

Marco Moreira and Jo-Ann Makovitzky, the husband-and-wife restaurateurs, have not exactly rushed to expand. After opening the upscale French restaurant Tocqueville in 2000, they waited seven years to move it down the street, so they could launch the Michelin starred sushi den 15 East in its former dining room.

That was it for another six years, until they opened The Fourth, an all-day American brasserie in the new Hyatt Union Square, which landed with a thud. The critics mostly ignored it, and that may have been an act of kindness. Reviewing for the Daily News, Michael Kaminer said the restaurant felt like it belonged in an airport: “everything feels vetted by committee, from office-suite décor to a meek menu with just enough Food Network flourishes to excite out-of-towners.”

Makovitzky later told the Village Voice that the bi-level space was too large. Over the summer, they turned the basement into a month-long Brazilian pop-up called Botequim (Portuguese for pub), which was successful enough to take over the space permanently. Mr. Moreira, the chefly half of the duo, is from Brazil, so it is perhaps a bit surprising that he waited so long to showcase the cuisine of his native land.

Thereis much to admire about Botequim. The strong wine list (unfortunately not online) offers a heavy dose of Portuguese and South American wines not often featured at New York restaurants. (We were pleased with the 2010 Quinta do Carmo: $47.) The menu is modestly priced, with most appetizers $15 or less, and most entrées in the $20s.

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Monday
Feb112013

Bistro Le Midi

 

Note: At the time of this review, Chip Smith was the chef. He has since moved onto The Simone. We’ve not been back to Le Midi since he left.

*

French cuisine is making a small comeback. It never really went away, but for a long time in the mid-aughts, new French restaurants were more dreamt of than seen.

I’ll believe France is really back when a French restaurant like Ai Fiori or The NoMad opens, and gets three stars. Otherwise, chefs are just doodling around the margins of excellence, fearful of critic backlash.

But there is plenty to enjoy in the meantime. Enter Le Midi, a new casual bistro near Union Square. It offers the sort of hearty, rustic French menu that I love. The space is modern-looking, and a bit austere, despite the white tablecloths. Old movies play silently on a screen above the bar.

The menu offers bistro standards, with a few announced specials. Soups and starters are $8–14, mains $18–28, sides $5–6, plus the obligatory burger at $14. Fries didn’t come with any of the dishes we had, but should you order them, the portion size is ample, and they looked irresistible.

The wine list is better than it has to be. We were surprised to find a 2005 Médoc for $48 (above left). New places in this restaurant’s price range tend to have very little older than 2009, or so. We ordered that, and were quite pleased with it.

The bread service (above right) was humble, but at least served warm.

 

My fiancée nominated a warm Frisée aux Lardons ($12; above right) as an early candidate for Salad of the Year, with a luscious poached egg and a musky bacon flavor. A duck terrine ($12; above right) was fine, but not as memorable.

 

Duck Leg Confit ($21; above left) and Coq au Vin ($21; above right) were good renditions of classic dishes—not the best you’ve had, but at this price well worth your trouble.

We ordered dessert (a rarity for us), a perfectly respectable Strawberry Shortcake ($9; left).

I didn’t make note of the cocktails we ordered at the bar before our meal, and there isn’t an online list, but my recollection is they were a good deal better than you’d expect at such a place. They wouldn’t transfer the tab, a lapse I’ll forgive at Le Midi’s price range. Once at the table, the server was attentive, his ordering advice dependable.

The restaurant, doing comfortable business but not full on a Wednesday evening, attracts what appears to be a neighborhood crowd. So far, Robert Sietsema of the Village Voice is the only professional critic to have noticed it. He departed a happy man. So did we.

Le Midi (11 E. 13th Street between University Place & Fifth Avenue, Union Square)

Food: French bistro standards
Service: Casual, but just fine at the price range
Ambiance: An austere, modern space, where tablecloths don’t feel old-school

Rating:

Friday
May252012

Union Square Cafe

Note: In late 2015, Union Square Cafe closed at its original location, due to a rent hike. It is expected to re-open a few blocks away in spring 2016, in the former City Crab space.

*

Has it really been 20 years since I visited Union Square Cafe? I’ve a vague memory of lunch there, about that long ago. It’s been on my revisit list since forever, but was never readily bookable at times I wanted to go.

Reservations have loosened up a bit: recently, I was able to book midweek at 6:45pm on ten days’ notice. I don’t recall ever being able to do that.

You really do need to try Union Square Cafe. On any fair reckoning, it is one of the most influential New York restaurants of the last quarter-century. If it had accomplished nothing else, it would deserve a place in the pantheon for launching the career of restaurateur Danny Meyer, who was 27 when it opened in 1985.

There were stumbles then: a one-star review from Bryan Miller in 1986. Meyer persisted, replacing the opening chef (Ali Barker) with Michael Romano, winning three stars from Miller in 1989. By 1999, William Grimes re-affirmed three stars, noting that although the place was still “hugely popular…It’s not the food that’s setting off the stampede.”

When Union Square opened, it was one of the first, and the best, of a new breed that Bryan Miller called ”international bistro,” in reviewing the restaurant in 1989 in The New York Times and awarding it three stars.

Union Square has not changed, but the world has changed around it. Michael Romano, the executive chef and part owner, does what he has always done, and done very well, which is to turn out jazzed-up bistro and trattoria fare with utter consistency. What looked like a flashy sports car a decade ago now seems more like a midsize Buick cruising in the center lane at a precise 65.

Ten years later Frank Bruni knocked it down to two stars. There were too many blunders; the food wasn’t consistent enough. But he still found, as one does at every Danny Meyer restaurant, “staff so seemingly genuine in their yearning to accommodate you and their contrition when they can’t that Danny Meyer…must be giving them either Method acting classes or major pharmaceuticals. Maybe both.”

It would be foolish to expect Union Square Cafe to change very much. At some point, a pathbreaking restaurant becomes a tradition in itself. This restaurant has earned that.

It could still clean up its act. I don’t know many places that serve a $13.50 cocktail, with a straw still in its sealed paper sheath. A restaurant of this caliber shouldn’t be serving any accessory in its factory wrapper. When I ordered a glass of wine to follow up, the server failed to bring it, because she didn’t notice I’d finished that cocktail, even though considerable time went by.

We ordered two appetizers to share; only one came. Realizing their mistake, the staff served the second appetizer with the entrées. (To be fair, it was taken off the bill without prompting.)

The cuisine is difficult to classify. The website calls it “American … with an Italian soul, using fresh ingredients from the local Greenmarket.” Miller’s first three-star review called it “Northern Italian” cusine, flat out.

Over the years, the Italian influence has mellowed, aside from the pasta section of the menu. Most of the appetizers and main courses could be found in any seasonal American restaurant, though descriptive Italian words pop up here and there. In the service and ambiance, Union Square Cafe doesn’t resemble an Italian restaurant at all.

Prices are not expensive, for a restaurant that had three stars until quite recently. Snacks are $4–7, appetizers $10–19, pastas $16–19 (small portion) or $26–29 (large), entrées $27–35, side dishes $8–10. I’d call that the “upper middle” price range for Manhattan. The menu changes daily, and the website (every time I checked) displayed a current one.

Appetizers were weaker than the main courses. Asparagus Tempura ($19; above left) sounded like a good idea, but when you throw in lobster, seared pork belly, and ramp vinaigrette, it’s at least one ingredient too many. The asparagus were good, but the lobster was slightly rubbery, the pork belly a bit chalky.

From the snacks portion of the menu, we ordered the Pig Ears ($6; above right) as our second appetizer. This was the item that didn’t come out on time. I liked the tarragon mustard, but the ears themselves were in a cloying sauce that tasted like soy. We didn’t bother to finish them.

I was impressed with both entrées. Pork shoulder ($27; above left) was in a honey-balsamic glaze, with ramp polenta and spring slaw. I’m not positive what accompanied the Trout ($27; above right), as the online menu has since changed, but the fish itself was lovely.

The beverage list runs to 33 pages; wines are mostly French, Italian, and American, priced from the mid-$40s to the thousands. There is something here for almost every budget.

The attractive tri-level space would be considered a bit old-fashioned if it opened today, but I doubt there are any complaints from the clientele, which skews slightly older than average. There is a younger crowd at the bar, where a full menu is available. The décor deftly straddles the line between formal and casual. Whether it’s a special occasion or an average night out, you can feel at home.

The service, so eager to please, fumbles at times — or did on this particular night — but Union Square Cafe remains worthwhile, and could still teach its many imitators a thing or two.

Union Square Cafe (21 E. 16th St. between Broadway & Fifth Ave., Union Square)

Food: American Greenmarket with Italian influences, mostly very good
Service: As accommodating as can be, if a bit sloppy at times
Ambiance: A civilized, adult restaurant; would that there were more of them.

Rating: ★★
Why? Still one of the best of its kind, after all these years

Monday
Aug222011

Tocqueville

If you find the current NYC dining scene depressing, here’s a pick-me-up: Tocqueville. It’s at once a reminder that civilized dining is still possible, and a reminder of how much has been lost.

The city’s four-star restaurants remain popular, but at the level immediately below them, what has opened in the last two or three years that wasn’t Italian? It is a very short list, practically an empty one.

To be clear: it’s not that I want a meal this refined — this expensive — every day, or every week. It’s that, when I do want them, most of the options are legacy restaurants that hardly anyone would open today. Chef Marco Moreira and his wife, Jo-Ann Makovitzky, probably wouldn’t do it themselves, if they were starting again now.

To rewind a bit: Tocqueville grew out of a catering firm, then known as Marco Polo. Its original location was an odd, traezoid-shaped dining room that somewhat undermined the upscale cuisine that Moreira wanted to serve. William Grimes gave it two stars in 2000; I gave it two and a half in 2005.

In 2006, Moreira and Makovitzky moved Tocqueville half-a-block west and gave it an upscale makeover, precisely the opposite of what would likely happen today. (See Aureole, Oceana, and SD26, all of which moved in the last couple of years and relinquished a piece their former elegance in the transaction.) The couple still have the old space, which is now the excellent Japanese restaurant 15 East.

Frank Bruni gave the new Tocqueville the same two stars, while seeming to like it less than Grimes did. His complaints were almost entirely service glitches, none of which were apparent when I visited last week. The current reviewing culture doesn’t allow for re-reviews, save in the most exceptional cases, so it falls to people like me to call attention to a restaurant like Tocqueville that is almost entirely below the radar, but shouldn’t be.

The menu wears its greenmarket bona fides on its sleeve, though the chef has been doing this long enough to be excused. Tocqueville is very much in the Gramercy Tavern or Blue Hill (West Village) mold, but you’ll get in easier and enjoy your meal just as much and maybe more.

This comes at a cost: appetizers are $15–26, entrées $24–42 (most above $30), desserts $10–16. Tasting menus are $85 (five-course vegetarian), $110 (five-course) or $125 (seven). There is a separate, somewhat gimmicky greenmarket menu, a three-course prix fixe for $55, but its items are orderable à la carte, which somewhat undermines the point of it.

The amuse bouche was a vibrant lobster salad (above left). The bread service was excellent, with three kinds of bread (olive, brioche, and one other), baked in house.

I almost feel like we cheated, when we ordered the terrific beet salad to share ($16; above right), and the kitchen sent out two separately plated half-portions.

Arctic Char ($28; above left) was pink and moist, with an English pea purée, thumbelina carrots, haricots verts, and yellow beans. Black bass ($34; above right) in “bouillabaisse” broth was also very good. A long, thin slice of baguette was, I suppose, for mopping up the broth, though I could have done without it.

The thirty-page wine list has plenty of French, Italian, and California standards in a wide price range, as well as many unusual items, like a 1992 Savennieres Domaine aux Moines ($65), a deeply aged white wine that the sommelier decants, as it is so intense in both color and taste that it resembles port. How many lists in town would stock that? It is for such wines that you dine at a restaurant like Tocqueville.

The under-stated cuisine here is not fashionable now. It offers no pork chop, no burger, no organ meats, no foams. (There is a recited special, a $125 dry-aged prime côte de bœuf for two, so I suppose the chef is not entirely immune to fashion.) What Tocqueville does offer is extremely enjoyable, in the kind of dining room, and with the kind of service, seldom seen in restaurants opening in NYC today.

For that, Tocqueville should be celebrated.

Tocqueville (1 E. 15th Street at Fifth Avenue, near Union Square)

Food: ***
Service: ***
Ambiance: ***
Overall: ***

Sunday
Dec212008

Casa Mono

Owning the city’s most popular Italian restaurants wasn’t good enough for Mario Batali and Joe Bastianich. So five years ago, they branched out into Spanish cuisine. Sure enough, they mastered that too.

Pig’s Feet Croquetas with Cranberries ($15)Casa Mono was an instant hit, winning two stars from Marian Burros in the Times and a 25 food rating on Zagat, the highest of any Spanish restaurant in the city. It has taken me a while to get here because the place is always packed at the times I want to eat. Finally, I landed a Friday night 7:00 p.m. reservation.

Our dinner was almost scuppered when my girlfriend got stuck on a train. The hostess wouldn’t seat an incomplete party, and there is no waiting space inside this cramped restaurant: nada. She not-so-gently suggested that I mosey over to Bar Jamón, the wine bar next door, “and we’ll call when your party arrives.” But I’d already spent an hour at Bar Jamón and knew there was no space there either. So I shuffled my feet at the doorway, checking my watch.

Sepia a la Plancha with Salsa Verde ($15)My girlfriend arrived at 7:19 p.m., four minutes too late, according to the hostess. “I can offer you a table until 8:30 or seats at the bar without a time limit.” We took the bar seats, which may be the best way to experience Casa Mono. Watching the open kitchen just a few feet away is a pleasure in itself: it runs like clockwork in an insanely small space. You get to see a much wider variety of the gorgeous plates coming out, and the craftsmanship that goes into them.

Skirt Steak with Onion Mermelada ($16)There are some cuisines that, inexplicably, seem to be found only in casual settings (at least in New York), and Spanish is one of them. Alex Ureña tried to serve three-star food at Ureña, but it never caught on, and he had to dial it down a notch, renaming the place Pamplona. Batali and Bastianich, blessed with a keener sense of the culinary moment, made Casa Mono casual from the beginning, and never looked back.

Fried Cauliflower ($9)The wine list, though, is a serious document. If there were a four-star Spanish restaurant, it could have the same list without changing a thing. You’ll find large-format bottles with four-digit prices, but also real value below $50. There was a slight hiccup when I ordered a 2004 at $45, and the server returned with an ’05, apparently not realizing the difference. Fear not, said the hastily summoned sommelier: the 2005’s are just as good, and according to some connoisseurs, maybe better.

Confit Goat with Saffron Honey ($19)On the all-tapas menu, you’ll pay anywhere from $5–25 a plate, with most in the teens. A selection of six plates plus a shared dessert brought our food tab to $102. You could probably get by with a little less than that, but not by much.

Batali has never worried about challenging the diner. You’ll find pig’s feet, lamb’s tongue, rabbit loin, cock’s combs, bone marrow, sweetbreads, duck hearts, and tripe. But you’ll also find safe choices like mussels, skirt steak, and lamb. Pork Belly Fabada with Horseradish ($19)We saw a lot of skirt steak going onto the griddle, but not one order of tripe. Even Marian Burros declined to try it. A fried cheese made of calves head and feet has been dropped since Burros visited, showing that even offal has its limits.

I’m not going to comment on most of the dishes individually, but they were all terrific, except for over-cooked pork belly. The photos don’t do the food justice, but they were the best I could manage in a low-light setting where flash wasn’t appropriate.

Mono Sundae ($9)

Desserts are sometimes a throwaway at this kind of restaurant, but we adored the Mono Sundae, a plum brandy ice cream with arrope and almonds. We observed other diners in phases of rapture over their desserts, so this is apparently not the only great one.

The food at Casa Mono arguably deserves a better setting. It is cramped and rushed. Although we sat at the bar, even the tables seemed small and tightly packed.

I’m not the type to spend hundreds of dollars on a bottle of wine, but even if I were, this isn’t the place where I’d choose to do it. But for five years diners have either forgiven the setting or perhaps even embraced it. Food this good can make up for many an inconvenience.

Casa Mono (52 Irving Place at E. 17th Street, Union Square/Gramercy)

Food: **½
Service: *½
Ambiance: *
Overall: **

Sunday
Dec212008

Bar Jamón

Bar Jamón — literally “Ham Bar” — is the front end of the Batali–Bastianich Spanish double-header, the other being the restaurant next door, Casa Mono. The two share a wine list and prep space, and some guides describe them as one restaurant. Even the owners have trouble deciding: some of their literature lists the two places separately, but they share a common website.

Anyhow, it’s a tiny space that holds about 25 people, including those standing at the bar, where there are no stools. There are light tapas, generally in the $7–11 range, along with the crazily expensive Spanish hams that give the place its name. These set you back $15 or $30 a portion.

The star is the 24-page all-Spanish wine list, probably the best of its kind in New York. It’s hard for me to believe that anyone would plunk down $1,950 for a magnum of 1989 Vega Sicilia and then drink it on bar stools. But if you want it, Bar Jamón has got it. Even for more modest budgets, Bar Jamón has plenty to choose from, with bottles as low as $30.

Like all of the Mario Batali–Joe Bastianich restaurants, wine by the glass is served in a quartino or, in Spanish, a cuarto, which is good for about a glass and a half. In that context, the $12–25 price range is fair, and I was happy with both that I tried — the 2005 Mustiguillo ($15) and the 2006 Jiménez-Landi ($17).

As we had reservations at Casa Mono afterwards, I didn’t order any food, and the staff didn’t try to sell me any. The munchies here aren’t expensive, but unless you order some, you aren’t going to get anything extra—not even so much as a bowl of nuts. It appeared that about half the patrons ordered food, and half didn’t.

Bar Jamón serves as Casa Mono’s “waiting room,” though it’s too successful for its own good. By 6:00 p.m. on a snowy Friday evening, Bar Jamón was nearly full. I didn’t mind standing at the bar and admiring the bottles perched there. If you want a seat, expect to wait.

Bar Jamón (125 E. 17th Street east of Irving Place, Union Square/Gramercy)

Wine: ★★★
Service: ★
Ambiance: ★
Overall: ★★

Saturday
Jul122008

15 East

15east_inside1.png 15east_inside2.png

15 East is the Japanese restaurant that blossomed out of the old Tocqueville space, when co-owners Marco Moreira and Jo-Ann Makovitzky moved that Union Square standout two years ago to larger digs down the block. The odd-shaped room always seemed too small for Tocqueville—the owners obviously thought so too—but in its new guise it seems just about right.

15east_logo.pngThe front room, which formerly housed Tocqueville’s bar, now has a sushi bar. The layout isn’t ideal, since guests waiting to be seated hang out in the same room, but the bar seating appeared to be comfortable. As there were four of us, we were seated in the main dining room, which has been attractively re-decorated. We had the restaurant to ourselves when we arrived at 6:00 p.m. on a Tuesday evening, but the space was mostly full a couple of hours later.

15east01.jpgThe menu offers a wide range of appetizers ($6–22) and a smaller selection of entrées ($24–45). Sushi ranges from $4–12 per piece, rolls $5–18. Omakases and tasting menus range from $55–120.

The composed appetizers and main courses may even be more compelling here than the sushi. The amuse-bouche was a terrific spring pea tofu (right). We followed it up with the slow-poached octopus ($12; below left) that was the highlight in Frank Bruni’s two-star review.

Servers told Bruni that the octopus was “massaged 500 times.” We didn’t know that, but perhaps it explains the terrific fatty taste that reminded me of pork belly.

15east02a.jpg 15east02b.jpg

Tuna tartare ($22; above right) is the most expensive appetizer, but the kitchen throws a party in its honor, spraying the plate with a spice confetti.

15east04a.jpg 15east04b.jpg

The entry-level omakase offers ten pieces of sushi or sashimi for $55 (above left). For a party of four businessmen, the chef sends out safe choices. The rice was warm and each piece was individually seasoned, but you’ll probably have a more interesting meal if you order pieces individually, or order one of the more expensive tasting menus. One of our party did not want raw fish, so he ordered the Wild Salmon Five Ways ($26, above right), which he seemed pleased with.

The service here is more accomplished and elegant than at most mid-level Japanese restaurants. There was a hint of upselling, but the captain’s ordering advice was sound, and he picked a fine sake to go along with our meal.

15 East (15 East 15th Street between Fifth Avenue and Union Square)

Food: **
Service: **
Ambiance: **
Overall: **

Sunday
Dec022007

Irving Mill

Note: Irving Mill closed at the end of 2009.

*

I expected a lot from Irving Mill. It’s the first solo venture by John A. Schaefer, who was executive chef at Gramercy Tavern for six years, including the period when it won a Michelin star. Early reviews have been mixed, but I figured a former Gramercy Tavern guy would offer a menu with more hits than misses.

Alas, we were underwhelmed at Irving Mill. Most of what we had was merely adequate. I have to figure that better things are in store here, but our meal there offered little reason to go back.

And that’s really too bad, because the service was as good as I’ve seen at a casual restaurant in a long time. We know Schaefer is a Danny Meyer alumnus, but the front-of-house must be too. I had to pinch myself when they offered to seat me before my girlfriend arrived. At most busy restaurants below three stars—and Irving Mill is very busy—the usual line is, “You’re welcome to wait at the bar until your party is complete.” And when my girlfriend ordered a Whiskey Sour “not too sour,” the server checked back twice to ensure it was exactly the way she wanted it.

The décor is rustic chic, but not in a cynical way: you feel instantly at home. Like Gramercy Tavern, there is a front room that doesn’t take reservations. Tables in the main dining room have been tough to come by lately, but I think the novelty will wear off if the food remains this undistinguished.

The seasonal menu, which I suspect will become more expensive over time, offers appetizers ($10–16), entrées ($25–28), side dishes ($7), and a so-called tasting menu ($54) which is really just a four-course prix-fixe. There are 21 wines by the glass, most of them $12 or less.

irvingmill01a.jpg irvingmill01b.jpg

I started with the New Zealand Cockles Stew ($12; above left), which I don’t recommend. The cockle shells yielded tiny flavorless pea-sized chunks of meat, the chorizo was tough as leather, and the broth insipid. My girlfriend had the Cauliflower Ravioli ($15), which I didn’t taste, but was the meal’s only true highlight.

Roasted Arctic Char ($28; above right) was somewhat better. I liked the contrast of the crisp skin and the tender flesh underneath, but lentils, cabbage, and a red wine reduction added nothing to the dish. My girlfriend’s Grilled Pork Chop ($26) seemed under-sized, and it wasn’t much improved by accompaniments of red cabbage, spaetzle and mustard seed.

I would very much like to think that Schaefer can do better. In such a lovely setting with such polished service, I certainly hope so.

Irving Mill (116 E. 16th Street between Union Square & Irving Place)

Food: *
Service: **
Ambiance: **
Overall: *

 

irvingmill02.jpg
Amuse-bouche: Goat cheese
and olive tapenade

Thursday
Sep072006

Candela

Note: Candela closed in March 2007. Evidently, mediocre food in an industrial loft-like setting was as unappealing to others as it was to us. The space re-opened in October 2007 as Irving Mill.

*

The first clue that we were in for a mediocre meal at Candela was the blurb on the restaurant’s OpenTable profile: “New American Cuisine offered in an industrial loft like setting illuminated by candles.” The second clue came when we arrived and saw the menu, which offers sushi rolls, pasta dishes, and everything in between. Any restaurant attempting to cover such a far-ranging territory is bound to have more misses than hits.

The dark industrial candle-lit setting screams “date place” — and indeed, I would recommend it for that. It doesn’t scream “Sushi place,” but a Sesame Crusted Shrimp roll ($7) turned out to be the meal’s highlight. Crispy Atlantic Halibut with mushrooms, spring onions, and sweet pea puree ($24) was a competent but dull performance. My friend thought the same about Fresh Ricotta Rigatoni ($14).

I was pleased to see an ample selection of wines in the $30–40 range. I’ve forgotten which one we settled on, but in relative terms it was a bargain. I wasn’t gouged on a cocktail ($8), either.

Candela (116 E. 16th Street between Park Avenue South & Irving Place, Union Square)

Food: acceptable
Service: acceptable
Ambiance: *
Overall: acceptable for a low-key date place, but I won’t rush back